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magazine / jf06
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January/February 2006 issue |
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This is your brain on music
Mapping mental activity reveals that music stimulates the brain in the same way food, sex and drugs do
By Steven Fick and Elizabeth Shilts
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Hearing music: The auditory cortex (1) is organized
in terms of sound frequencies, with some cells responding to
low frequencies and others to high. Moving from the inside
to the outside of part of the cortex, different kinds of analysis
are taking place. In the core, basic musical elements, such as
pitch and volume, are analyzed, whereas surrounding
regions process more complex elements, such as timbre,
melody and rhythm.
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Imagining music: Singing Twinkle, Twinkle Little Star in
your head stimulates the auditory cortex even though you
are not actually hearing the tune. The activity, however,
occurs in small, discrete areas (1), and to a lesser magnitude.
The inferior frontal gyrus (2) tends to be associated
with retrieving memories and is thus stimulated as you recall:
"how I wonder what you are." Scientists believe the dorsolateral
frontal cortex (3) is responsible for holding the song in
working memory while it is being imagined.
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Playing music: There are few activities that require
more of the brain than playing music. It uses complex
feedback systems that take in information, such as pitch and
melody, through the auditory cortex (1), and allow the performer
to adjust his playing. The visual cortex (2) is activated
by reading — or even imagining — a score; the parietal lobe
(3) is involved in a number of processes, including computation
of finger position; the motor cortex (4) helps control
body movements; the sensory cortex (5) is stimulated with
each touch of the instrument; the premotor area (6) remains
somewhat mysterious but somehow helps perform movements
in the correct order and time; the frontal lobe (7)
plans and coordinates the overall activity; and the cerebellum
(8) helps create smooth, integrated movements.
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Reacting emotionally to music: When you gets
the "chills" from a piece of music, the "reward" structures in
your inner brain (cross section), such as the ventral
tegmental area (1), are stimulated. These are the same areas
that are activated when a hungry person eats, when an
aroused person has sex, or when a drug addict snorts
cocaine. If you are listening to a song you find pleasant,
activity in the amygdala (2) is inhibited. This is the part of
the brain that is typically associated with negative emotion,
such as fear.
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Brain waves
By Holly Gordon
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Plastic perception: Don’t drop the music program just
yet! Research shows musical training in children enhances the activity of important
neural systems. Changes are in regions of the brain that relate to playing
an instrument, such as the auditory cortex (LEFT, TOP 1), used for processing
musical tones; the motor cortex (LEFT, TOP 2), a region activated when using
the hands or fingers;
the cerebellum (LEFT, TOP 3), a part of the brain used in timing and learning;
and the corpus callosum (LEFT, BOTTOM CROSS SECTION 4), which acts as a bridge
between both hemispheres of the
brain. Other regions may also be enhanced, but this doesn’t necessarily
mean that the enhanced neural activity will extend to other abilities.
It is also thought that musicians who have had early training use their brains
differently than non-musicians. For example, musicians use more complex circuitry
in both sides of the brain compared to non-musicians. Some scientists believe
musicians also tend to use the left half of their brain when analyzing music.
The left hemisphere processes language and is used for reasoning tasks, leading
scientists to believe musicians process musical information more analytically
than those without training. It was commonly thought that people experienced
the majority of music-related activities in the right hemisphere, where emotional
and spatial information are processed. Today, however, it is believed that
both hemispheres network together when it comes to musical activity.
For these kinds of brain changes to occur, musical training must take place
early on in a musician’s life. If it doesn’t occur until after
puberty, there isn’t as much modification. Brain enhancements are also
specific to instrument types. When a violin player, for example, listens to
a violin tune, the activity in his or her auditory cortex is quite high. But
when the same violinist listens to a trumpet tune, the activity in the auditory
cortex is relatively small.
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Absolute pitch/tone deafness: Music may very well be a part
of everyone’s life, but not everyone feels part of music. Tone deafness
is a hereditary condition where people are incapable of telling the difference
between musical notes, known as amusia (becoming tone-deaf after birth) or
congenital amusia (born with tone-deafness). People who are tone deaf have
no trouble speaking or understanding speech or making sense of everyday sounds,
but they can’t recognize pitch, which is essential to music perception.
Scientists are unsure what part of the brain is responsible for the activity.
While many people suffer from tone deafness, perfect pitch, found at the other
end of the tonal scale, is not as common. Beethoven and Mozart are both believed
to have had absolute pitch. Perfect pitch, or absolute pitch, which occurs
when a person can recognize or sing a note as easily as they can tell the difference
between blue and yellow, without the aid of a reference. Scientists have found
that the dorsolateral prefrontal cortex (1), which is used in the gaining of
skill and memory retrieval, and the auditory cortex (2) work together to produce
absolute pitch. It is a combination of genetics and environment that produce
the talent. Studies have shown that musical training must take place before
age 15 for perfect pitch to develop.
Take this simple
test to see if you have absolute pitch (select 'misc' then 'absolute
pitch test')!
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Musical hallucinations: Imagine hearing a tune in your head
as if a 12-piece orchestra is playing it in the room next door. But there is
no orchestra. There’s not even a radio or CD player blasting out the
tune. The song is in your mind, and you can’t make it stop.
Nick Warner, a psychiatrist in southwest England, says there is a solid difference
between imagining a tune — otherwise known as having a song stuck in
your head — and having a musical hallucination. A song in your head,
he says, is something you have a lot of control over and you are aware that
the song isn’t actually playing. With a musical hallucination, however,
music plays in your mind that can’t be consciously stopped, and the sound
is so real that you think it is actually playing somewhere nearby.
Since musical hallucinations have not yet been thoroughly studied, it is difficult
to map out sections of the brain that are activated when someone experiences
them. It is thought that the brain map may be similar to that of imagining
music, but there is no concrete evidence.
When it comes to the brain, a musical hallucination has the same qualities
as hearing music, but lacks the same stimulus. Dr. Tim Griffiths, a neurologist
at the University of Newcastle Upon Tyne in England, suggests the hallucinations
occur because the music-processing regions in the brain are looking for signals
to interpret. The brain could be producing occasional random impulses that
the regions still interpret as sound, even though no sound is coming from the
ears.
There is no cure for musical hallucinations, since researchers aren’t
sure of the cause. But fighting fire with fire has worked – some patients
can turn on a radio or start a conversation which interrupts the musical hallucination,
giving them some peace. Warner says to improve someone’s hearing and
reduce the amount of social isolation may also work. Finally, he has found
that anti-psychotic medication in low doses can also be effective. But none
of these methods works completely. Warner says it’s a fairly rare occurrence
that requires more study.
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The beat goes on and on and on...
Musical hallucinations occur
in about 1 in every 10,000 people, according to Warner and his colleague Victor
Aziz,
have
looked
at what
people tend to hear during their hallucinations. Their study, involving 30
referrals from older people with musical hallucinations, found these songs
to be the most common:
- Abide with me (6 people)
- Silent Night (2 people)
- Away in a Manger (2 people)
- The Old Rugged Cross (2 people)
- Hark the Herald Angels Sing (2 people)
- Good King Wenceslas
- Jingle Bells
- Love Divine
- O Come all ye Faithful
- How Great Thou art
- On the Cross, Where I Found the Lord
- Cwm Rhondda
- Onward Christian Soldiers
- The Welsh National anthem
- The American National Anthem
- I Love You
- Three Blind Mice
- Show me the Way to go Home
- How much is that Doggy in the Window
- Yes We have no Bananas
- When I'm Cleaning Windows
- Stars and Stripes
- The Red Flag
- Roll out the Barrel
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