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magazine / dec08
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December 2008 issue |
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Indie band Arcade Fire performs at the Ukrainian National Federation
in Montréal in 2007. (Photo: Ryan Remiorz/cpimages.ca) |
RESEARCH
Montréal’s indie scene
What can we learn about a city by understanding the local music scene? Thomas Cummins-Russell, a master’s student
at Montréal’s Concordia University, is using his background in geography to examine the attributes of the
independent music industry that are unique to his city.
With the global success in recent years of indie rock bands such as Arcade Fire, Montréal’s music scene has
been thrust into the spotlight. And Cummins-Russell is studying how it has evolved, with the assistance
of a $5,000 Maxwell
Studentship in Human Geography, awarded annually by The Royal
Canadian Geographical Society.
So far, he has completed nearly 40 interviews with Montréal’s independent musicians
in a variety of genres — from indie rock and jazz to world and electronica — as well as with others in the local
music scene, including sound engineers, promoters, producers and label owners. “Many tell the same story,” he says.
“To survive in the business, they needed to diversify. Many musicians play in different bands and also go into
things like booking, promoting and managing. More connections in the industry lead to more gigs.”
Cummins-Russell joins a number of geographers who are studying the cultural economy of cities, focusing on industries that have emerged
in recent years to replace the declining manufacturing sector in some cities of the developed world, such as clothing manufacturing
in Montréal. Among the rising creative industries are multimedia, video games, dance and drama. He hopes to be among the first to study
the music business through this lens.
His analysis will centre on local factors, such as Quebec’s unique political climate and Montréal’s bilingualism, to
determine their role in how the music industry works. Few cities in the world have two dominant languages with such a large bilingual population,
says Cummins-Russell. His research reveals that while audiences and venues are often split along linguistic lines, this does not necessarily
apply to musicians. “Music is a language that can be understood by anyone of any language,” he says. “It allows musicians to collaborate,
whether they are anglophone or francophone.”
— Shawna Wagman
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EXPEDITIONS
The North through Afghan eyes
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Afghan photojournalism student Farzana Wahidy (ABOVE)
turned her lens on the landscapes and people of Baffin
Island, Nunavut, including these residents (TOP) motoring
around the hamlet of Qikiqtarjuaq.
(Photos: Farzana Wahidy) |
Farzana Wahidy hopes her photographs of the Canadian Arctic will help raise awareness of global climate change in her native
Afghanistan. The 24-year-old photojournalism student at Loyalist College in Belleville, Ont., came to Canada on a
scholarship in 2007 after working at the Associated Press news agency in Afghanistan. She travelled to
Iqaluit, Nunavut, in August as part of a special Students on Ice expedition, supported by The
Royal Canadian Geographical Society to mark International Polar Year.
On Baffin Island, Wahidy began a personal and professional journey filled with firsts. “For the first time in my life,
I wasn’t concerned about how I was wearing my head scarf and clothing,” she says. It was also her first group trip and
the first time she had travelled in mixed company. Far from cellphones and internet access, it was her first time without
regular contact with family members back home. And she discovered a completely new subject upon which to cast
her lens. “I want to see how climate change affects my people too,” says Wahidy.
“Lack of water is one of the biggest issues. People are really suffering in my country.”
— Shawna Wagman
RESEARCH
Power of the pen
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German prisoners of war
take a break from their
duties at a lumber camp
in northwestern Ontario.
(Photo: Thunder Bay Historical Museum Society) |
For months after Canadian Geographic published a story about Alana Ramsay’s
research on German prisoners of war (POWs) working in northwestern Ontario logging
camps (“The inside
story,” Dec 2007), we received letters from former POWs eager to
tell their stories, as well as others involved in this slice of Second World War history.
“The response I got was unbelievable,” says Ramsay who, for her master’s thesis at Queen’s University in
Kingston, Ont., interviewed several of the people who sent letters. She talked not only with former POWs but with a
former prison-camp guard, men who toiled as teenaged labourers in lumber camps and residents who recounted
childhood memories of encountering prisoners on their way to school.
All the POWs she spoke with returned to Canada after they were repatriated to Germany at the end of the
war. “They claimed that from the moment they left Canada, they were trying to get back,” says Ramsay, who presented
her findings at The Royal Canadian Geographical Society’s Annual General Meeting in November. “They
spoke very highly of the area where they worked. And almost all of them went back to paying
jobs in the lumber camps where they had been interned.”
— Monique Roy-Sole
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