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In-depth

How has the Canadian landscape, whether urban or rural, inspired or influenced your music?
Sarah Harmer, Sam Roberts, Susan Aglukark and other Canadian musicians tell us about their perception of place
FEATURES
• Northern soliloquy
  - The music man
• Canadian musicians
• The marrow of music
• Science of sound
  - Psychoacoustics
• Indie nation
• Canadian sound inventions
• Nature’s orchestra
DEPARTMENTS
• Knowledge Toolbox
• Cartographer’s table
• Just the facts
SAM ROBERTS
  • Home base is Montréal.

  • In 2004, won Juno's for Album of the Year, Rock Album of the Year, Artist of the Year.

  • In 2003, Roberts' EP The Inhuman Condition, became one of the bestselling independent releases in Quebec and Canadian music history.
DISCOGRAPHY

2008
Love At The End Of The World

2006
Chemical City

2003
We Were Born In A Flame

2002
The Inhuman Condition

Musicians spend a lot of time looking out of the windows of one moving vehicle or another. From city streets to mountain passes, it is all part of a cycle of inspiration. One moment we are in a smoke-filled club where people are pressed up against each other, the next we find ourselves in the wide-open plains where we can put as much space between ourselves and the rest of the world as desired.

The city provides the beat — thousands of footsteps, passing cars, traffic lights. It provides the necessary tension at the core of rock n' roll. The countryside is where you set that tension loose in a limitless landscape. It becomes the canvas on which ideas of freedom, exploration, movement and solitude are painted.

As we spread ourselves too thin in these different directions, it is time to get back to the city, to the bubbling core, to dip your foot back in the cauldron…

www.samrobertsband.com  

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